Tuesday, 16 July 2013

D&AD: Batiste





These are to be my final design outcomes. I have mocked them up on to existing cans to get a feel for what they'd look like as a series. The new aesthetic provides a new angle on Batiste, focusing on what the product is used for as opposed to their past.

Monday, 15 July 2013

D&AD: Batiste

After arranging a crit for my work, I realised that there were certain problems within my design. The information to be present on the back needs to be clearly visible, yet a white box dropped on the design would ruin the new aesthetic.


This worked in my favor because the new feel of the design boasts a gem encrusted ceiling and floor, reminiscent of a cave full of jewels, helping promote to the high end market.

Friday, 12 July 2013

D&AD: Batiste


I decided upon the theme of gemstones to promote and reach out to a new more sophisticated audience, raising the profile of the brand.






These are my first attempts with a pattern to form gemstones, these progressed into the series of 4.









These are the designs I picked to run with and to crit, to see if I'm on the right path or not. Each scent reflects on the colour and gemstone and clean block colours help communicate the sophisticated approach, especially the use of negative space.

4 colours in total make up each design, which helps reach out to the older clientele with an abstract aesthetic.

Tuesday, 9 July 2013

D&AD: Batiste

The brief set to create four new graphic identities and fragrances gave me full reign to explore possible outcomes which I thought best suited the brand.

From research, I decided that the current designs can come across appealing to a younger demographic which is contradictory to the older clientele. To ammend this issue I sketched up examples of what could be produced, including designs similar to what's currently available and a more, for use of a better word, sophisticated aesthetic.

 

I experimented with colours also in a series of thumbnails, the most inspiring of which featured above.

Monday, 8 July 2013

UK Greetings


Overall, due to how late me and Abbas started this brief, I am happy with the way it came out and should have considered my collaboration ideas before I set down with people who I can't work with.

It's a shame that we didn't have the time to submit the work, we both thought the concept was a good one, people love hand crafted and that personal touch.

D&AD: Batiste

Existing design within the Batiste range:

Target Audience: Outgoing, active, on the go and fashionable women aged 16-44.
Women who are short on time, but care about their appearance. 

The current designs definitely reach out to the younger end of the target audience, and some would appeal to the older end. But nothing meets the middle ground and I feel as though it needs a mutual theme and more consistency within the range. I would describe Batistes current designs as slightly tacky.

Friday, 5 July 2013

D&AD: Batiste

Dry Shampoos.

The Daily Mail covered dry shampoos in an article in 2011 which shows Batiste as the cheapest, most reliable dry shampoo. It also goes on to say that dry shampoo isn't necessarily used primarily for being lazy and not washing your hair, although this is one of the functions, but it's used for 'volumizing' hair, something I had not previously thought of.

Due to this, I decided to direct my design approach to mimic high end, expensive products.


I love how the angles of the glass reflect light in different directions and from inside to produce what appear to be different colours. I think mimicing this could have some good outcomes for a more 'glamorous' approach to the design of the product.


I stumbled upon an image of the dry shampoos available on the market to see what else was for offer, yet these are just the standard designs. I was thinking of using a full black silhouette similar to the latter two in the image above. Seeing it in context has slightly worried me, I think the solid black comes across as too bold and invading to some extent. In my opinion, not attracting the target audience at all. I think the black could be broken up with opaque colouring, taken from the original colours for Batiste, or maybe some kind of glitter overlay.


Tresemme use a similar approach with their other products as to what I was thinking, yet I think the branding for Batiste is stronger as a hair brand and also boasts a better visual identity. Whereas I find the Tresemme logo unappealing due to it's mix of letters and how it looks as though it's a sticker, in a bad way, the use of colouring and the way it plays with the light is something I'd like to achieve.


The gold version that they released as a limited edition features an effect that could be incorporated within my design but not with the underlay of patterns and used as an overlay over a matt black to induce the 'glamorous' aesthetic.


The design behind this edition boasts a glitter, or shimmer, effect with the dots in the design. I feel these could be beneficial to my design process. Enabling me to judge what is possible within the print process of the products.


Batiste made special packs titled 'Cool Britannia' which shows an artistic representation of the Union Jack and were presented in a red netting and extras like this mini brush.


I love the fact they add extras in, although I'm not too certain on the regularity of the extras, and would like to design some for proposal.


The only other packaging that I could find for Batitse products was this little zipped bag, which shows the contents as 3 mini cans of Batiste in their limited colourways 'Wild' but the bag is impractical as the clientele is different to what they think, in my opinion. The bag was intended to be reused by whoever bought them, but I think it wouldn't be used and the product added to a handbag of choice or other luggage item. I'd like to experiment with boxes for packaging which reach out to the 'glamorous' clientele, who don't need a new bag that has been cheaply made, but a box that compliments the product and talks to the target audience in a similar way to perfume brands.


Batiste point of sale, shelf style, looks pretty good due to the variety of designs on the shelf, I feel they compliment one another due to the consistency of the rest of the product, i.e branding & relevant information. This needs to be highly considered when I design for the brand.

D&AD: Batiste

Batiste new colourway circa 2001

Batiste used a mint green and complementary colours such as yellows in two shades and a darker mint to use for the branding.

The colours work well together and as a brand identity, they portray a fresh and exciting product, although it reminds me of 90's colours and how vibrant and 'modern' they look.


Colourways reminiscent of early 90's Nike and the audience, be it unisex, portrayed a similar colour palette towards the clientele of the time.

Batiste history provided by their facebook

The look I'd like to get from the range I plan to design, will be a professional sleek outlook on the company, something which hasn't been done before.

I think that using a full black bottle with their signature mint green, would represent the brand how it needs to be done. A lot of previous editions are very busy with their design and don't let the product do the talking. As dry shampoo, the product can be used by a variety of people from festival goers to working professionals, which needs to be translated in the identity of the new range.

Thursday, 4 July 2013

D&AD: Batiste


I picked the Batiste brief due to the fact that it boasted packaging and POS design, with the chance to see your design feature in store. I am to do this brief alone, submit to D&AD and hopefully win a coveted yellow pencil for myself.
"Make Batiste a must-have product for every beauty toolkit, appealing to new customers and engaging with existing ones."

Friday, 31 May 2013

Vikki Asker

I spent a while hand crafting triplex cards for Vikki, but it was worth it and I'm really happy with the outcome. It shows attention to detail, just what the client wanted to portray alongside friendliness.

I had to create a letterhead, for invoices, and compliment slip too. They needed to fit in with the direction of the branding and form consistency across the identity.



Thursday, 30 May 2013

Vikki Asker


This is my proposed website which Vikki loved. It features her work on every and all pages, originally, I had decided that I wanted the images to be full screen and scrollable, but kept the margins around the edge, yet then photo banner will still be scrollable.

The different types of photographic work are also separated by the different colours used to highlight the differences. Even the photos themselves have an opaque layer of the same colour, which once hovered over will disappear, revealing the photo in full with click to enter full screen.

Wednesday, 29 May 2013

Vikki Type

After a couple of crits with Vikki, we managed to get a font that we were both happy with, it still kept the easy approach and friendly aspects as well as a better composed and rounded one off type.


As shown, there are italic and bold versions of the font, but the font only features capitals and a handful of glyphs, something which I could add to if needs be.

I will be using this font throughout the branding and identity I propose to Vikki, be it for business cards, letterheads or even the website.

Tuesday, 21 May 2013

Creative Networks

We had a briefing set as a group by the team at Leeds Brewery, to design a collaborative beer bottle label for a Creative Networks event. The beer is called Hellfire, although I think this isn't the right name to reach the target audience.

Target audience: Young professionals, students, either sex 18-25

Other than the size of the label having to feature the design from one angle, there wasn't many design limitations besides maybe colour usage, no spot colours etc.

CMYK

exisiting Hellfire design

Overall the design for the original label is good, just the presence from when the bottle is in the fridge. The beer would be easily recognisable to a previous customer of the beer, but someone who didn't know what it was would struggle to read the label. I feel as though this kind of design has been a little overplayed and if the beer itself is as exciting and modern as I'm expecting then the label should reflect this also.



A couple of modern bottle designs, both completely different but both easily recognisable and identifiable.

I also found an article from the Guardian, 'The art of beer labels',

"“Brewing beer is an art,” he explains. “You would never hang a Picasso in a lousy frame, so why put great beer in a terrible package?”"

Friday, 10 May 2013

Vikki Asker

I was approached by a student photographer from Cheltenham, who asked if they could have branding for themselves and their professional presence.

For this I spoke to the client over a series of programs to find out best what she wanted the outcome to look and feel like and what she wanted it to say about her.


This is her existing front page featuring her branding and images from her works. She said she liked the style of branding but wasn't too sure on the font/ or the fact that it was a downloadable font.

I decided I'd design her her own font to use as and when she wishes.


Wednesday, 6 March 2013

YCN: UK Greetings

We set about looking into cards which could be interacted with by the customer, enabling a card which was more personal.


Personalised Cards


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Moonpig offer video prompts also where a camera icon can be scanned on a smart phone which will activate the video.


The only personalised card services offered are via the internet, which is handy, yet why is there none in store?

There must be a middle ground, something personal, but not too personal.